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Tampilkan postingan dengan label Theatre. Tampilkan semua postingan
Tampilkan postingan dengan label Theatre. Tampilkan semua postingan
Sabtu, 22 Mei 2010
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Carmen, O2 Arena review

If you ever thought about seeing Carmen at the O2 Arena, don't! If you were thinking or getting one of those cheap almost free tickets, don't! You will leave frustrated, and not because the former Millennium Dome is shit and colas will cost you between £2-4+.

We purchased front rows seat (and not those cheap tickets you get from 'insiders', much to our regret) and we still couldn't see shit. This was mainly because they hired tons of extras to shield the performers (who were mainly not in sync'ed with the excellent orchestra by the good people from the Royal Philharmonic Orchestra, because they can't be bothered to keep an eye on one of the billions of tellies there with the conductor in it) especially in the last act with the street carnival and all, as well having a part raised platform on the arena with the principals often preferring to sing in a huddled position hidden away from the audience.

It was never a good idea to host a opera in a 20,000+ arena and it shows. The acoustic was awful and the majority of people attending aren't used to this sort of shows - they were firing pictures with flash as if it was a basketball match! A thick skin lady behind us was even firing her SLR (with flash!) in quiet sections, with nary a scolding from the stewards. It wasn't a surprise to see people leaving even before the intermission. But what do you expect when the opera was mainly marketed to the lowest common denominator with a ridiculous marketing campaign of trying to associate the production with ITV's awful "from Popstars to Operastar"?

Finally let's not forget that Carmen at the O2 is actually performed in English. Sacrilegious.
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Carmen, O2 Arena review

If you ever thought about seeing Carmen at the O2 Arena, don't! If you were thinking or getting one of those cheap almost free tickets, don't! You will leave frustrated, and not because the former Millennium Dome is shit and colas will cost you between £2-4+.

We purchased front rows seat (and not those cheap tickets you get from 'insiders', much to our regret) and we still couldn't see shit. This was mainly because they hired tons of extras to shield the performers (who were mainly not in sync'ed with the excellent orchestra by the good people from the Royal Philharmonic Orchestra, because they can't be bothered to keep an eye on one of the billions of tellies there with the conductor in it) especially in the last act with the street carnival and all, as well having a part raised platform on the arena with the principals often preferring to sing in a huddled position hidden away from the audience.

It was never a good idea to host a opera in a 20,000+ arena and it shows. The acoustic was awful and the majority of people attending aren't used to this sort of shows - they were firing pictures with flash as if it was a basketball match! A thick skin lady behind us was even firing her SLR (with flash!) in quiet sections, with nary a scolding from the stewards. It wasn't a surprise to see people leaving even before the intermission. But what do you expect when the opera was mainly marketed to the lowest common denominator with a ridiculous marketing campaign of trying to associate the production with ITV's awful "from Popstars to Operastar"?

Finally let's not forget that Carmen at the O2 is actually performed in English. Sacrilegious.
Minggu, 14 Juni 2009
The King and I, Royal Albert Hall

The King and I, Royal Albert Hall

We were fortunate enough to gain some cheap tickets for Saturday evening's performance of the limited run The King and I musical at the Royal Albert Hall. Maria Friedman stars as the confident English teacher Anna opposite Daniel Dae Kim (Lost) as the beleaguered King of Siam.

I won't comment about the story, as I am aware that most people would have experienced the classic tale one way or another - and if you haven't, you really ought to. Daniel Dae Kim was actually pretty funny, and had a good voice. Sadly he does not make an impressive or even mildly scary king. Maria Friedman on the other hand was simply brilliant as the English teacher.

The sound set in the middle of the Royal Albert Hall is impressively build with the use of nice water features. The orchestra score is performed by the brilliant Royal Philharmonic Orchestra under the direction of Gareth Valentine. An enjoyable if predictable take on a well loved story, but Royal Albert Hall makes for a bad venue.
The King and I, Royal Albert Hall

The King and I, Royal Albert Hall

We were fortunate enough to gain some cheap tickets for Saturday evening's performance of the limited run The King and I musical at the Royal Albert Hall. Maria Friedman stars as the confident English teacher Anna opposite Daniel Dae Kim (Lost) as the beleaguered King of Siam.

I won't comment about the story, as I am aware that most people would have experienced the classic tale one way or another - and if you haven't, you really ought to. Daniel Dae Kim was actually pretty funny, and had a good voice. Sadly he does not make an impressive or even mildly scary king. Maria Friedman on the other hand was simply brilliant as the English teacher.

The sound set in the middle of the Royal Albert Hall is impressively build with the use of nice water features. The orchestra score is performed by the brilliant Royal Philharmonic Orchestra under the direction of Gareth Valentine. An enjoyable if predictable take on a well loved story, but Royal Albert Hall makes for a bad venue.
Minggu, 30 November 2008
Imagine This, New London Theatre

Imagine This, New London Theatre

Imagine This is a new musical currently playing in New London Theatre. You may think it is mad to launch a new West End show in this climate of economy uncertainty, and you may be right. The theatre, while wasn't empty, wasn't exactly filled to the brink either. In fact even though armed with bargain tickets we managed to bagged seats just six feet from the stage, enough to witness a bit of snorting action by the leading lady.


The musical follows a Jewish theatre group during the early days of the second World War. Set in a Warshaw ghetto, the group continues to produce musicals for the community in order to commit a sense of normality to their now miserable lives. In fact much of Imagine This is sort of musical within a musical. This in my opinion made it tedious. Rather than allowing the characters to grow, by constricting them within their Masada play (a play about the Jewish plight under Roman rule), they came off as rather shallow. Nevertheless Masada served as a brilliant fore shadowing to their present day plight. One of the primary complaints by certain circles of critics was the distasteful humours that are occasionally brought up, despite the predicament the cast finds themselves in. We (and the audience) didn't think so and took the humour as it came as. This is after all an entertainment and should be treated as such.

Production value is great, though no where near Les Miserables level of detail. Rain and snow drops through the broken windows, furnitures are realistic and the set wonderfully designed. Even the stage revolves, which is rather nice, though I did find it a bit of a gimmick. The orchestra pit is shamefully partially hidden and can only be seen through the broken windows on the right side of the stage. I found the acting to be a little bit tepid, though the singing is wonderful particularly by the two leads. Jamie Davis who plays the nine year old Leon/David was very impressive as was Michael Matus for his comedic performance as Pompey.


All in all, I found Imagine This to be an above average musical. I thought it was more enjoyable than Candice, the only musical so far that I've slept partly through. Jennifer on the other hand found it to be exciting and was thoroughly pleased by the whole thing, as did most of the crowd (standing ovations included). Regardless of what you think of it Imagine This, it is most definitely the most daring new musical West End has seen in years. More of this will be welcomed, especially in London. Perhaps a musical about occupied Palestine or Guantanamo Bay next?

7/10

Imagine This is currently playing at New London Theatre, Drury Lane (Covent Garden)
Imagine This, New London Theatre

Imagine This, New London Theatre

Imagine This is a new musical currently playing in New London Theatre. You may think it is mad to launch a new West End show in this climate of economy uncertainty, and you may be right. The theatre, while wasn't empty, wasn't exactly filled to the brink either. In fact even though armed with bargain tickets we managed to bagged seats just six feet from the stage, enough to witness a bit of snorting action by the leading lady.


The musical follows a Jewish theatre group during the early days of the second World War. Set in a Warshaw ghetto, the group continues to produce musicals for the community in order to commit a sense of normality to their now miserable lives. In fact much of Imagine This is sort of musical within a musical. This in my opinion made it tedious. Rather than allowing the characters to grow, by constricting them within their Masada play (a play about the Jewish plight under Roman rule), they came off as rather shallow. Nevertheless Masada served as a brilliant fore shadowing to their present day plight. One of the primary complaints by certain circles of critics was the distasteful humours that are occasionally brought up, despite the predicament the cast finds themselves in. We (and the audience) didn't think so and took the humour as it came as. This is after all an entertainment and should be treated as such.

Production value is great, though no where near Les Miserables level of detail. Rain and snow drops through the broken windows, furnitures are realistic and the set wonderfully designed. Even the stage revolves, which is rather nice, though I did find it a bit of a gimmick. The orchestra pit is shamefully partially hidden and can only be seen through the broken windows on the right side of the stage. I found the acting to be a little bit tepid, though the singing is wonderful particularly by the two leads. Jamie Davis who plays the nine year old Leon/David was very impressive as was Michael Matus for his comedic performance as Pompey.


All in all, I found Imagine This to be an above average musical. I thought it was more enjoyable than Candice, the only musical so far that I've slept partly through. Jennifer on the other hand found it to be exciting and was thoroughly pleased by the whole thing, as did most of the crowd (standing ovations included). Regardless of what you think of it Imagine This, it is most definitely the most daring new musical West End has seen in years. More of this will be welcomed, especially in London. Perhaps a musical about occupied Palestine or Guantanamo Bay next?

7/10

Imagine This is currently playing at New London Theatre, Drury Lane (Covent Garden)
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