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Tampilkan postingan dengan label Books. Tampilkan semua postingan
Tampilkan postingan dengan label Books. Tampilkan semua postingan
Minggu, 18 April 2010
Bite Me: A Love Story review

Bite Me: A Love Story review

Bite Me: A Love Story is the third book in Christopher Moore's 'Vampire' trilogy which chronicles the love life of a C. Thomas (Tommy) Flood and his vampire girlfriend Jody. Fear not as this isn't like those silly crapfest that has recently been turned into films. Instead it is filled with generous amount of action and dry humour that you would expect from the author of A Dirty Job and Lamb. If you've read all of Christopher Moore's books (and I have, about ten times each), Bite Me will sound oddly familiar. It gathers a couple of characters from previous books, blends them and churns them into one comedy mess, and when I mean mess, I mean a book you simply can't put down.

This is a love story, though not your typical one. Tommy and Jody are lovers, who so happened to be vampires, except they aren't the elder kind who sleeps in coffins and can turn into bats. Jody has only been a vampire a couple of months longer than Tommy, and Tommy has only been one for like a week. Biggest issue of all is Tommy wants out. And then there's them being bronzed into statues by their perky underage goth girl minion Abby Normal.

Abby, whose daywalker name is Allison Green, lives with her genius scientist undergrad boyfriend Steve. Steve, also known as Foo, has hair that is very manga (Abby's words, not mine) and perform experiments on vampire things, finding ways to turn them back though the fact that they can turn into mists irritates him more. There's also this fat shaved cat, Chet, who has somehow turned himself into a vampire and is stalking the city turning hobos into dusts with his gang of smaller but equally deadly minion of undead cats.

To make matter worse, the elder vampires has set sail for the city. Their mission: to clean up the mess left by Elijah, the original vampire who turn Jody (and Chet), and that is to kill all the vampire cats, vampire humans and anyone who has seen or knows about the vampires. Soon enough Tommy, Jody, emergency backup mistress of the Greater Bay area Abby, Steve, the Emperor of San Francisco and his lieutenant dogs, the Animals aka Safeway night crew (with the help of a Chinese grandmother's anti vampire cat remedy) and two incompetent cops have to join forces to save the city, and more importantly, themselves.

I am gong to be honest here. Bite Me was kinda disappointing by Christopher Moore's standard. It is a far improvement over his previous book Fool (which I am pretending never happened), but falls behind his greats like the original vampire love book Bloodsucking Fiend, the missing gospel that became Lamb, and A Dirty Job (easily one of the greatest comedy book written). Abby, whose diary posts were pretty amusing in You Suck, came off as being a tad more annoying than usual. It doesn't help that her blog posts read like an older person trying to be young (which is exactly what it was). And then there's that other annoying character from Fluke, but I'll leave that as a surprise. Bloodsucking Fiend had just the right balance between humour, and isn't as over the top as this. The final quarter of this book also felt rushed. There are also plenty of unanswered questions and lose ends not tied up, like what is up with that old short Japanese man?

Still, any disappointing book by Christopher Moore is considered great in the literal world and I would not hesitate to recommend his to anyone who has a liking for books with plenty of humour. Just read Bloodsucking Fiends and You Suck first if you can help it (you don't have to, as the first few chapters does good in catching you up). Personally I am still reeling at the unexpected ending, but perhaps a fourth book to fix that? Please...!

Bite Me: A Love Story is available as a hardcover from Amazon UK and Amazon.com
Bite Me: A Love Story review

Bite Me: A Love Story review

Bite Me: A Love Story is the third book in Christopher Moore's 'Vampire' trilogy which chronicles the love life of a C. Thomas (Tommy) Flood and his vampire girlfriend Jody. Fear not as this isn't like those silly crapfest that has recently been turned into films. Instead it is filled with generous amount of action and dry humour that you would expect from the author of A Dirty Job and Lamb. If you've read all of Christopher Moore's books (and I have, about ten times each), Bite Me will sound oddly familiar. It gathers a couple of characters from previous books, blends them and churns them into one comedy mess, and when I mean mess, I mean a book you simply can't put down.

This is a love story, though not your typical one. Tommy and Jody are lovers, who so happened to be vampires, except they aren't the elder kind who sleeps in coffins and can turn into bats. Jody has only been a vampire a couple of months longer than Tommy, and Tommy has only been one for like a week. Biggest issue of all is Tommy wants out. And then there's them being bronzed into statues by their perky underage goth girl minion Abby Normal.

Abby, whose daywalker name is Allison Green, lives with her genius scientist undergrad boyfriend Steve. Steve, also known as Foo, has hair that is very manga (Abby's words, not mine) and perform experiments on vampire things, finding ways to turn them back though the fact that they can turn into mists irritates him more. There's also this fat shaved cat, Chet, who has somehow turned himself into a vampire and is stalking the city turning hobos into dusts with his gang of smaller but equally deadly minion of undead cats.

To make matter worse, the elder vampires has set sail for the city. Their mission: to clean up the mess left by Elijah, the original vampire who turn Jody (and Chet), and that is to kill all the vampire cats, vampire humans and anyone who has seen or knows about the vampires. Soon enough Tommy, Jody, emergency backup mistress of the Greater Bay area Abby, Steve, the Emperor of San Francisco and his lieutenant dogs, the Animals aka Safeway night crew (with the help of a Chinese grandmother's anti vampire cat remedy) and two incompetent cops have to join forces to save the city, and more importantly, themselves.

I am gong to be honest here. Bite Me was kinda disappointing by Christopher Moore's standard. It is a far improvement over his previous book Fool (which I am pretending never happened), but falls behind his greats like the original vampire love book Bloodsucking Fiend, the missing gospel that became Lamb, and A Dirty Job (easily one of the greatest comedy book written). Abby, whose diary posts were pretty amusing in You Suck, came off as being a tad more annoying than usual. It doesn't help that her blog posts read like an older person trying to be young (which is exactly what it was). And then there's that other annoying character from Fluke, but I'll leave that as a surprise. Bloodsucking Fiend had just the right balance between humour, and isn't as over the top as this. The final quarter of this book also felt rushed. There are also plenty of unanswered questions and lose ends not tied up, like what is up with that old short Japanese man?

Still, any disappointing book by Christopher Moore is considered great in the literal world and I would not hesitate to recommend his to anyone who has a liking for books with plenty of humour. Just read Bloodsucking Fiends and You Suck first if you can help it (you don't have to, as the first few chapters does good in catching you up). Personally I am still reeling at the unexpected ending, but perhaps a fourth book to fix that? Please...!

Bite Me: A Love Story is available as a hardcover from Amazon UK and Amazon.com
Rabu, 30 September 2009
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I read The Lost Symbol so you don't have to

I wasn't expecting much of The Lost Symbol, but it surpassed even my wildest expectations. It was awful. I mean dreadfully bad. I read this book in one day, not because it was so compelling, but because it was so ridiculously bad I wanted to get it over with and write this little rant. You would think that after four books, Dan Brown would learn to write or at least aim to change his formulaic approach to writing mysterious thrillers, but no...

This has all the hallmarks of a 'Robert Langdon-series' book: predictable plot, tedious pacing, "it can't be that simple" code cracking, a cast of inept law enforcement agencies (in this case the CIA and a bunch of idiot security guards), cardboard characters, psychotic villain with family issues well versed in religious icons (with a predictable big 'reveal' at the end) and a geeky but fine scientist sidekick. Oh, and the usual tangled cliffhangers at the end of every fucking paragraph. Then we have plenty of pseudo intellectual nonsense by characters who are so dumb they frequently decide to hang around solving puzzles whilst being chased. The characters here are so dull and uneventful you just do not know just who to root for, though to be honest I was rooting for Sato, the willy CIA boss, to stick a spork inside Robert Langdon and wail "this is national security priority, away with you and your cryptic nonsense".

Hope briefly materialised about two third through when the hero nitwit Harvard professor was presumably killed off. There was I thinking that the author has broke out of his predictable rut and did something decent and unexpected for once, but then he goes and bring the renowened symbologist (the true field here is semiotics) back to life leading to a scene where Langdon lovingly kisses Katherine (what, the heir of Jesus isn't enough for you?). The plot makes absolutely no sense, with the victim attempting to protect a secret that wasn't a secret anyway, thus causing plenty of unnecessary deaths along the way! Still CIA bungling their way through the story were some of the pretty funny moments, you can even excuse the death of that lone field agent sent to investigate the bald tattoo villain's home. But seriously, nothing here is original. Even the villain is lifted straight out of Red Dragon, whose hell bend desire to 'transform' reminds anybody who has ever read a good book (or watched the bad film) about Francis Dolarhyde.

I don't mind bad writing per se as long as they are entertaining. It is like watching some crappy Jerry Bruckheimer film - they are crap but for that one moment you are at least entertained. This however takes the award for being utterly dull, poorly written and just plain crap (like the film Transformers), padded to the core with useless Wikipedia trivia. It reads like a bad TV series that gets cancelled after a season. It even has product placements (who gives a flying fuck what phone Sato uses, what elevator Langdon take or car Katherine drives?). It isn't even original. It is a remake of da Vinci Code, which was a remake of Angels and Demons which itself was a remake of Digital Fortress or something.

Gosh, even National Treasure wasn't this bad. Avoid this book is my suggestion (don't buy it - borrow it from a library if you want to suffer). If you want to save what is left of your brain cells read Frederick Forsyth or Robert Ludlum instead, and leave books like this and Twilight to the X-Factor generation.
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I read The Lost Symbol so you don't have to

I wasn't expecting much of The Lost Symbol, but it surpassed even my wildest expectations. It was awful. I mean dreadfully bad. I read this book in one day, not because it was so compelling, but because it was so ridiculously bad I wanted to get it over with and write this little rant. You would think that after four books, Dan Brown would learn to write or at least aim to change his formulaic approach to writing mysterious thrillers, but no...

This has all the hallmarks of a 'Robert Langdon-series' book: predictable plot, tedious pacing, "it can't be that simple" code cracking, a cast of inept law enforcement agencies (in this case the CIA and a bunch of idiot security guards), cardboard characters, psychotic villain with family issues well versed in religious icons (with a predictable big 'reveal' at the end) and a geeky but fine scientist sidekick. Oh, and the usual tangled cliffhangers at the end of every fucking paragraph. Then we have plenty of pseudo intellectual nonsense by characters who are so dumb they frequently decide to hang around solving puzzles whilst being chased. The characters here are so dull and uneventful you just do not know just who to root for, though to be honest I was rooting for Sato, the willy CIA boss, to stick a spork inside Robert Langdon and wail "this is national security priority, away with you and your cryptic nonsense".

Hope briefly materialised about two third through when the hero nitwit Harvard professor was presumably killed off. There was I thinking that the author has broke out of his predictable rut and did something decent and unexpected for once, but then he goes and bring the renowened symbologist (the true field here is semiotics) back to life leading to a scene where Langdon lovingly kisses Katherine (what, the heir of Jesus isn't enough for you?). The plot makes absolutely no sense, with the victim attempting to protect a secret that wasn't a secret anyway, thus causing plenty of unnecessary deaths along the way! Still CIA bungling their way through the story were some of the pretty funny moments, you can even excuse the death of that lone field agent sent to investigate the bald tattoo villain's home. But seriously, nothing here is original. Even the villain is lifted straight out of Red Dragon, whose hell bend desire to 'transform' reminds anybody who has ever read a good book (or watched the bad film) about Francis Dolarhyde.

I don't mind bad writing per se as long as they are entertaining. It is like watching some crappy Jerry Bruckheimer film - they are crap but for that one moment you are at least entertained. This however takes the award for being utterly dull, poorly written and just plain crap (like the film Transformers), padded to the core with useless Wikipedia trivia. It reads like a bad TV series that gets cancelled after a season. It even has product placements (who gives a flying fuck what phone Sato uses, what elevator Langdon take or car Katherine drives?). It isn't even original. It is a remake of da Vinci Code, which was a remake of Angels and Demons which itself was a remake of Digital Fortress or something.

Gosh, even National Treasure wasn't this bad. Avoid this book is my suggestion (don't buy it - borrow it from a library if you want to suffer). If you want to save what is left of your brain cells read Frederick Forsyth or Robert Ludlum instead, and leave books like this and Twilight to the X-Factor generation.
Rabu, 05 November 2008
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"Fool" teaser

Here's the Cliff Notes you wished you'd had for King Lear—the mad royal, his devious daughters, rhyming ghosts and a castle full of hot intrigue—in a cheeky and ribald romp that both channels and chides the Bard and all Fate's bastards. It's 1288, and the king's fool, Pocket, and his dimwit apprentice, Drool, set out to clean up the mess Lear has made of his kingdom, his family and his fortune—only to discover the truth about their own heritage. There's more murder, mayhem, mistaken identities and scene changes than you can remember, but bestselling Moore (You Suck) turns things on their head with an edgy 21st-century perspective that makes the story line as sharp, surly and slick as a game of Grand Theft Auto. Moore confesses he borrows from at least a dozen of the Bard's plays for this buffet of tragedy, comedy and medieval porn action. It's a manic, masterly mix—winning, wild and something today's groundlings will applaud. (Feb.)
A Chris Moore book based on a Shakespearean lore! Excited yet? I think I will re-read his entire back catalogue (for the sixth time) this week. ^_^

From Publishers Weekly via Amazon.com also blogged by Chris himself
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