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Selasa, 22 Maret 2011

KILLZONE 3 review

Remember the original Killzone on PlayStation 2, the game that was hyped up by the gaming-press, as a Halo-killer? Well upon released it was quickly put in its place. Killzone 2 was similarly hyped, this time by Sony with the infamous target-render E3 video, but at least the game delivered. Gamers and critics loved it with equal measure. Can Guerrilla continue the momentum they started with Killzone 2?

As a review that focuses extensively on the single player campaign of Killzone 3, I will be forced to focus on the story. Story hasn't been the strongest point of developers of first person shooter games. Well with the help of Wikipedia, I am caught up with the world of Killzone and how the Helghan forces were wronged by the ISA at first, then decided to get revenge by invading a planet that was rightfully theirs only to be repelled and invaded by the ISA. Killzone 3 is a continuation of the story left from Killzone 2.

Killzone 3 has flying pests this time round

You play a character called Sev who bears much resemblance to a typical clichéd version of a video gaming marine, with a ridiculous haircut. This Sev person is accompanied by his marine grunt called Rico who swears a lot like a kid who just learnt cussing. Sev and Rico are kinda interchangeable in that both talks tough and prefer to shoot first ask questions later. Both are on the side of the ISA. While you control Sev during the entire campaign, Rico is almost always by your side if only to give you the medical help you sometimes need. Perhaps rather worryingly and annoyingly, you can't kill Rico off permanently, though you can injure him enough so he would not interfere.

Killzone 3's storyline is only there to serve the gameplay. The story is plain ridiculous and character development almost none existent. Despite six hours of pretty average story telling, the developers has even managed to reward the player with an abrupt and most unsatisfactory ending. Even the voice acting is bad, though perhaps this is also the fault of such an average script. Killzone 3 is one of those video games that makes me think why some developers even bother trying to tell a story. If developers like Valve and Naughty Dog (yeah, I know they don't make FPS games) can mix good stories with good gameplay, why can't Guerrilla?

Swap assault rifles for a rampaging mech? Don't mind if I do

As a friend of mine said, first person shooters aren't about the story. I disagree - I think they can have a good story - it's just that most mainstream gamers do not expect them any more. But moving on from story, has Killzone 3 changed my mind about console FPS gaming in terms of gameplay? Yes indeed it has. Controls were fluid, aiming was simple and while they were moments of inaccuracy, for much of the game I felt in total control. The only issue I have is the cover system, which isn't at all helpful. The game also supports Six Axis motion controller, but fortunately are only limited to a very small portion of unnecessary gameplay. Sony's PlayStation Move controller is also supported, but I've no such peripheral to test the game with.

There are plenty of weapon to choose from. You can only carry three weapons, a pistol, rifle and some special really awesome big ones like the WASPS rocket launcher which secondary fire can destroy tanks, or if you want to, bombard a large group a Helghast enemies together. Each weapon is as satisfying to fire as the next. My highlight is probably the bolt gun. Hit an enemy with one and they fly away and get stuck to a wall, blood splattered all around the body. Killzone 3 is an incredibly violent and visceral game. The brutal melee system in particular provides the player with a gruesome detail on how to kill an enemy combatant.

There is plenty of satisfaction in firing a WASPS rocket launcher

I found the A.I. of the enemies to be impressive. They hide whenever they spot you. If you do not time your grenade throw properly, they will scatter away to safety. During gun battles, they will attempt to sneak up behind you if there is a route, or flee to a better cover spot. Shoot that cover spot away and they will find another one. Your war buddies are equally clever, though they sometimes charge up at enemies without thinking ahead. However for most of the campaign they hold back, take cover measure and will even attempt to revive you if there is a chance. Some NCPs can not be killed, but you can always delay reviving them especially if you decide they are getting in the way rather than helping.

Despite the mediocre storyline, it keeps the pacing well in checked. Levels are divided into chapters with a suitable variety of locations to keep the average gamer interested. You get to play as a gunner of a tank, hover ship and space fighter (all on-rails); and control Exos, a mech exoskeleton. In one level Sev also gets hold of a Helghast jetpack. While the jetpack created some interesting set pieces, it was slow and I was glad to be rid of it. The jetpack is also available in a multiplayer map. There are no boss levels in Killzone 3, apart from perhaps the one with the gigantic MAWR. In one level the gameplay pace changes to that of stealth, though there is no stopping you if you wish to charge in.

Environment is stunningly detailed

Visually Killzone 3 is easily one of the most stunning games I've played on the PS3. Despite the environmental effect, hundreds of bullets wheezing by and explosions, the game hardly stutters. Frame rate is consistent apart from the few odd moments. Locations from nuclear wasteland, to the arctic landscape and alien jungle were all beautifully rendered. Cover areas can be shot at and thus exposed, and the tiles and plasters on pillars stripped away but as a whole Killzone 3 does not feature destructible environment. Despite the attention to detail, there is hardly any time admire the fantastic artwork when shooting at wave and wave of enemy troops.

Killzone 3's multiplayer support includes local splitscreen co-op (which I was unable to test) and typical traditional multiplayer components. These includes Guerilla Warfare (classic team death match), Warzone (objective based such as capture, search and assassination) and Operations (defend and assault). Players can choose from five classes: Engineer, Tactician, Infiltrator , Marksman and Field Medic, all of which have their own abilities. For example Medics can treat team members who are close to death while Engineers will come in handy in repairing broken turrets. Infiltrators on the other hand has the ability to disguise themselves as so on. You get to unlock new weapons for the class of your choice using skill points earned while fighting in the said class.

I've not played a game with such intensity and epicness as Killzone 3 in a long time. If you are a first person shooter fan and is willing to excuse the forgettable plot, this may just be the game for you. With local co-op and extensive multiplayer component, Killzone 3 represents great value for those looking for pure action and fun.

7/10 (single player score) 8/10 (overall)

Killzone 3 is available now for PlayStation 3. Buy it from Amazon UK or Amazon.com and you will be supporting this blog.

Thanks to Sony Computers Entertainment Europe for providing us with a copy of Killzone 3

KILLZONE 3 review

Killzone 3 has flying pests this time round

Swap assault rifles for a rampaging mech? Don't mind if I do

There is plenty of satisfaction in firing a WASPS rocket launcher

Environment is stunningly detailed

Selasa, 01 Maret 2011

Killzone 3 Ultimate Recruit

Killzone 3 was released in the UK last week. The PS3 exclusive game, developed internally by Gureilla, has been gathering rave reviews. I've played the demo, and if you are a PS3 gamer I am sure you have. Based on the demo, I honestly believe this may be the most polished console first person shooter game out there - and I don't normally play console FPS games.

In any case, as part of Sony Computer Entertainment's grand Killzone 3 launch, they have opened a competition called the Killzone 3 Ultimate Recruit. Those who pass the Ultimate Recruit Training Program are being given the chance to fire a real life Helghast weapon over a live range remotely and win a couple of cool prices.

For a chance to take part to shoot the real Helghast weapon, you will need head there and sign up, then complete all the training missions. The first 500 to do so will earn the right to remotely control the weapon. Be the highest scoring recruit and you will win a paid trip this this year's E3 in LA!

I've bagged a pass to fire one of this bad ass weapon, and will report here once I am done.

Killzone 3 Ultimate Recruit

Kamis, 24 Juni 2010

Studio Ghibli and Level-5's Ni no Kuni (The Another World) PS3

Level-5 and Studio Ghibli has revealed that they are developing a video game, Ni no Kuni (The Another World) for the PS3 console. This is the same game that is also being developed for the DS, though it will obviously feature upgraded visuals and animation.

It will also support the new PlayStation Move controller, though little is known how that would work. It will be released in 2011. Check out the amazing 720p direct screenshots and the trailer below.

Level-5 are masters in JRPG, and combined with the story telling expertise of Studio Ghibli, I honestly can not wait for this game. They better be planning on localising it.

Studio Ghibli and Level-5's Ni no Kuni (The Another World) PS3

Jumat, 02 April 2010

Valkyria Chronicles: Selvaria's Mission DLC review

Playing and completing Valkyria Chronicles was one of my gaming highlights in recent years. It is the kind of game I would utter in the same breath of Uncharted 2 - that is just how impressed I am about the SRPG title. In fact if I've actually played it back in 2008 when it was released here, I would have named it my personal GotY. Unfortunately it is also the last great game SEGA developed. Consider this a LTTP review.

In any case, Valkyria Chronicles has been granted with a healthy dose of downloadable content (DLC). I've always been a skeptic of the DLC business model, viewing it as a way for lazy developers to charge gullible gamers for what should have been in the disc itself. Still Valkyria Chronicles's DLCs are a bit different as they offer missions from the perspective of people outside of the main Squad 7 main posse.

My love for Valkyria Chronicles combined with SEGA's recent price cut of the DLC ultimately prompted me to make my first ever DLC purchase on the PS3's PlayStation Store. Incredible what a quid and twenty pence saving can do to you... I am either a genius or a sad little man.

Two of the DLC available surrounds a character called Edy. She is a character whom I've only used only once before being unceremoniously and dishonourably discharged, as I have very little interest in the back story of a happy go lucky pop star wannabee. Apparently her character is quite a bit popular in Japan - which explains SEGA's willingness to create two DLC just for her. But how she became popular is beyond me, though I suspect that it may be a cultural thing. They do like their lolita pop singers there.

There is one DLC though that I'll never ever pay for and which I would not recommend any sensible people to pay for and that is the Hard EX Mode. I remember the time when increased difficulty mode (and then some) came with all games whether you like it or not, but not so with SEGA. With Valkyria Chronicles, you have to pay to play in hard. Ridiculous ain't it? Valkyria Chronicles is one of the most balanced game out there, so I can't imagine regular people getting much enjoyment from this mode. Still hardcore gamers with plenty of time on their hands would love this.

The DLC I decided to purchase is the Selvaria's Mission "Behind Her Blue Flame" pack. The fact that the DLC offers missions from the enemy's perspective is pretty compelling and in my opinion, the greatest incentive to purchasing this instead of the Edy stuff. It isn't just made up by a bunch of side quests by unmemorable and uninteresting squad members, but a whole new storyline that serves to flesh out the Selvaria character you thought you knew. At 224MB, you will at least be assured that the DLC isn't merely an unlocking code to content already provided on the disc.

In Selvaria's Mission, you follow Johann, an engineer assigned to Selvaria. The missions takes during the early stages of the invasion by the Imperial forces on Gallia, several years before the main storyline as detailed in Valkyria Chronicles. There are a total of four missions in the mission pack, one of which requires you to gain A-ranking on the first three missions in order to unlock. The second mission is also dependent on whether you meet an optional and undisclosed objective in the first mission (spoiler: destroying General Damon's tank).

Ultimately I love this pack and have had no regret making this my first DLC purchase. Any fans of Valkyria Chronicles would be a fool to want to miss this as it allows them to play as Selvaria themselves. Despite her weapon, Selvaria isn't as strong as she was in the main campaign. Here she is paired with the aforementioned Johann where the two must work together. You see, Selvaria carries grenades and ragnades out of principle. Her only weapon is her powerful Ruhm, easily the most powerful weapon in the game. So while she has the power of a Shocktrooper and the legs of a Scout, she can't really do much else. Johann on the other hand is pretty weak (both mentally and physically) but acts as her personal field medic. He also does rudimentary tasks like clearing the path for Selvaria. So you see, the two must work together.

The difficulty has also been changed significantly. In the original campaign the Gallians were a pretty weak bunch early on, but they pack a mighty punch in this DLC and have greater power, accuracy and evade stats. The Imperials are also terrible at accuracy, particularly the snipers. Getting A-rank will require plenty of patience as well as trial and error, particularly in one of the second missions. Completing the second mission will also unlock Selvaria's powerful Ruhm gun for use in the main campaign by Squad 7's shocktroopers, sort of a reward to the player. Complete the first three missions with A-rank and you get to play as Selvaria in her Valkyrur form - complete with lance and everything. Exciting isn't it?

For a £1.99 DLC, Selvaria's Mission offers plenty of game time. There's at least 4-6 hours worth of content here, more than the single player campaign of some full priced games. Plus we get to see the softer side of Selvaria's, and from the invading nation's point of view. Anybody who consider themselves a fan of Valkyria Chronicles, or SPRG in general, should seriously consider investing in this.

Valkyria Chronicles is currently available for a low low price of £13/$19.99. Selvaria's Mission DLC (as well as Challenge of the Edy Detachment, Edy's Mission and Hard EX Mode) is currently on offer (from £3.19 to £1.99) until 29 April 2010.

Valkyria Chronicles: Selvaria's Mission DLC review

Sabtu, 13 Maret 2010

Final Fantasy XIII extended impressions

As you know, I wasn't very impressed of Final Fantasy XIII when I first played it. Twenty hours in and things have improved somewhat. I still had to plough through about 15 hours of utter boredom as the story is blighted by petty talk, in-fighting and the lack of cohesive directions, but at least the game is slowly coming together.

The new Role system is similar to the old Job system. This allows the player to somewhat customise the characters through six roles: Commando, Ravager, Sentinel, Synergist, Saboteur and Medic. The actions the characters perform during battle will depend on the roles currently assigned to them, for example a Medic will heal where as a Synergists will buff and a Ravager will focus on using elemental offenses. The role of each character can be switched on the fly via the Paradigm Shifts system.

While the Paradigm System is a dumbed down version of Final Fantasy XII gambits, I am finding myself enjoying the new battle system, which works half way between the fantastic Active Dimension Battle of Final Fantasy XII and the old ATB series staple. Switching A.I. on the fly is still good fun but I do find the battles as a whole much much easier than the previous title - and I haven't even started grinding yet. Crystarium is a rejigged Final Fantasy XII Sphere Grid but in 3D. It is a clusterfuck system and it gives me a headache everytime I use it. It is a pathetic replacement to the more intuitive License Board.

Weapons and accessories can be upgraded using loot (spoils) gained during the course of the game. These can be sold or dismantled to gain new materials to be used as further upgrades. Because there is no traditional levelling up system in place, it is generally more important to spend more time levelling up the weapons and accessories.

Both me and my partner agree. We love the art direction, character design etc. of Final Fantasy XII more. If you are a Final Fantasy X fanboy/girl you will be happy with the art direction here. Visually, the game is disappointing. Frame rate is very consistent during the most important bits - the combat, so nothing to complain about here. But while it does contain more polygons and better textures, it just kinda looks like a 720p Final Fantasy X game, but with the added advantage of a free camera. The pre-rendered cutscenes are stunning, but then so were the ones in the previous titles.

The linearity isn't bothering me as much as I thought it would be. There are some nook and crannies to look for treasures, but that's about it. I like towns, but do not mind the lack of towns in here either. In any case the lack of exploration do annoy me somewhat, but then again the architecture design here is so awful I didn't feel like doing much exploration anyway even if given the chance...

Bar Lighting, all the main playable characters have really forgettable design and are annoying to boot. There are three kind of voice acting in this game: brilliant (Lightning), competent (Fang) and awful (the rest). Shame that Lightning only ever speaks once every millennium. The plot is convoluted mess, especially in the beginning. But the story is slowly and beginning to get a little bit more interesting as my party (spoilers!) found themself ditched on an ancient arc after getting their arse kicked by a pope who I can't even bother remembering his name (end spoilers!).

The composer is the same guy who composed the score for Final Fantasy X and Dirge of Cerberus. That pretty much tells you all you need to know (that the soundtrack is shit). I play mainly with the volume turn all the way down just not to disturb my partner and never miss it. In fact I was seriously tempted to play the soundtrack of Final Fantasy XII (scored by Hitoshi Sakimoto - the same composer to the excellent Valkyria Chronicles and Vagrant Story) whilst playing this. A Jpop mix - seriously? It works for Persona 3 because the tracks fits the game style and location, but not here.

I am beginning to feel that Final Fantasy XIII is last-gen game moonlighting as a current-gen game in that shiny Bluray disc. It just plays and feels like one (just like Final Fantasy X felt like a PSone game), albeit with upgraded graphics. Well historically it is, as development started out as one but it has been more than three years since the PS3 was released (we have had two sublime Uncharted games for goodness sake!).

Final Fantasy XIII extended impressions

Selasa, 09 Maret 2010

Final Fantasy XIII first impressions

So I got Final Fantasy XIII, much to my surprise (was a surprise gift). Have been playing for about an hour or so, so beware that this is just an initial first first impression (more like a hands-on).

In-game visuals isn't as impressive as all the hype has led me to believe. The characters are pretty darn poor, in design and their personality. The voice acting ranges from mediocre to downright cringe worthy. Gameplay wise, can't say I enjoy the separate battle screen but at least it isn't as bad as I thought it would be. It still ain't Final Fantasy XII though. Basically I can only control one party member (others are on auto, Persona 3-like) and so far all I do is press X for attack and occasionally on potions duty. I loved Persona 3, so this isn't a bad thing. It has been an easy first hour though (HP automatically refilled after every battle), such is Square Enix's desire to making it easier for the lowest common denominator.

Rather surprisingly Lightning has been the most likeable character in the game, in terms of her voice acting and character design. The rest are just so... well, unlikeable. Obviously with only one hour under my belt, I am sure that each character's back story will be examined (well, at least I hope so). I just wish their design weren't so... crappy. Sazh is one annoying guy who follows Lightning around, likely to be included as comic relief (he has a Chocobo pet). There's another typical Tetsuya Nomura playable character (called Snow - puke!) and is supported by a Blanka-like monkey, a girl who only wears underpants and is followed by a Jax-like (Naughty God) character (design wise anyway as he is a total coward). Square Enix better make Nomura take a break after this. Perhaps even swallow their pride and throw big money at Yasumi Matsuno whilst taking an ad on a big national paper apologising to the way they treated him.

I was initially reluctant to take much note the complaints regarding linearity. After all there has been plenty of A+ games in the past (Uncharted 2, God of War series, Mirror's Edge) that are linear including Final Fantasy ones. But it has just been a straight line - literally! I do hope things improve quickly, but various online reviews do indicate that I would need to play through about 20 hours of shit before hitting the good stuff. Fingers crossed they are right as I would be mighty pissed.

At any rate, after this unexpected procurement, I'll have to put on hold my plans for God of War III. Killing Zeus and sexing up Aphrodite will just have to wait for next month whilst I see what the fuss the first title in the Fabula Nova Crystallis Final Fantasy XIII world is all about.

Final Fantasy XIII first impressions

Final Fantasy XIII is out today

Final Fantasy XIII is out today and if I have to be very honest, this is the first time ever I am not too bothered about getting a numbered Final Fantasy game.

I absolutely disliked Final Fantasy X and loved my time with XII (one of the best games I've ever played, IMO), and judging by the reviews I have read, XIII has everything I disliked about X, and dispenses of everything (from gameplay to art direction) that made Final Fantasy XII such an epic game. I am aware that I shouldn't prejudge but this is something many people can't help doing.

I still want to play it, and will likely do so in the next couple of months, but with God of War III coming out (and I haven't played the HD remake of I & II yet), Square Enix will just have to wait a bit longer before getting my money. It just isn't a priority any longer.

But if one of the supermarkets have it for cheap I may just get it today. ^_^

Anyway sorry for making you read this shit.

Final Fantasy XIII is out today

Senin, 08 Maret 2010

Heavy Rain Chronicles: The Taxidermist DLC review

The Taxidermist is the first of the Heavy Rain Chronicles downloadable 'episodes'. It comes bundled with the special edition version of Heavy Rain (HMV exclusive in the UK, probably pre-order bonus in other countries) and is rumoured to be made available on PSN later this week.

Each Heavy Rain Chronicles episodes will examine an event relating to one of the four main characters before the event of the main game. The Taxidermist stars Madison Paige, the journalist who is investigating someone whom she suspects as the Origami Killer. Spoilers warning!

The (only) setting of the game is a shabby house not too dissimilar to Ethan's post-Joshua era. There are five total endings to be found and each can be gained depending on the actions of Madison. The first time I played Madison accidentally broke one of the taxidermist's 'collection' which alerted him when he arrived home. This ultimately led to Madison being chased around the home before being killed. Or you can have Madison be a bit less reckless or clumsy whilst investigating before making her escape when the killer returns.

Those who has played Heavy Rain and has been hoping that The Taxidermist will focus on Madison's back story (for example the origin of her insomniac condition that has been mentioned plenty of times in the main game) will be disappointed. Alas perhaps some things are always meant to be left vague but again perhaps Quantic Dream is planning more Madison related DLC. The cynical person in me believes so.

As to whether The Taxidermist is worth the price of admission, I can't answer that as Sony has yet to release pricing details. The storyline isn't all that great and does not contribute in any way to the original story. In fact all five endings can easily be obtained in about an hour or two. Still The Taxidermist gameplay felt fresh compared to the main game. The stealth approach to gaining a few of the endings is something very different to the vanilla Heavy Rain game.

Personally I believe that it is worth no more than two quid (or about US$2.99) and only if you are a fan. It just felt more like a demo. Overall, a good add-on, but a very short one.

Heavy Rain Chronicles: The Taxidermist DLC review

Minggu, 28 Februari 2010

Heavy Rain review

Despite being somewhat a fan of Quantic Dream's Fahrenheit, I have never been really interested in Heavy Rain - at least not until only a couple of months ago. The original "The Casting" technology demo for example did not pique my interest, not least because I wasn't actually wowed by the apparent visual fidelity.

The lure to Heavy Rain isn't so much the gameplay (which it hardly has, but bear with me), but the actual cinematic story telling mechanism. The developers has gone to pain to stress the consequences of the player's choice. So in Heavy Rain, a character (there are four major characters) can die - but this won't result in a game over. Instead the story line will progress, just without the dead character, and ultimately lead to a different ending and lost storylines and 'opportunities'.

Once a player completes a chapter, the chapter will be made available on the main menu screen. Here the player can reload the chapter and replays it right to a new ending if he or she wishes. It is an impressive save system that allows for a high replayability especially if you are like me and wishes to gain the 'perfect ending' or explore other possibilities. Those who wishes to gain more 'Trophies' would also be happy with the system.

As Heavy Rain relies heavily on its dialogue and storyline it would be a great disservice to spoil the game for you. Still, a small synopsis couldn't hurt. The game revolves around the four main playable character's search of the Origami Killer (who is so named as the killer leaves an origami in his/her victim's hands - duh). That's about as much as I would like to say and if you have any interest in the game you would probably already knew that.

Gameplay wise the title is divided into two sections - third person exploration (including menial tasks like showering and heating up prepack food) and QTE cut scenes. For a game that is so tightly controlled, a gamer may feel claustrophobic as they struggle to do anything relevant. But as mentioned earlier, any action, or should I say - in-action, can lead to consequences which at times may lead to a playable character's death. In a game that is often dubbed one long movie, the futuristic ARI glasses (used to locate/view evidence) of FBI profiler Norman Jayden can break the monotone.

Visually, Heavy Rain is a very pretty game. Animations are fluid (if at times stiff) and Quantic Dream almost managed to get away with the dead eye look that is so prevalent in realistic animations and modern video games. The environment are detailed and varied though the lack of full interaction and 'invisible wall' did annoy me for a game that is supposedly based on a realism. Still I've to appreciate the game makers desire to keep the linear narrative as intact as possible to service the storyline.

The voice acting quality varies but certainly far better quality than most video games. I've read of complaints about how poor the British and European actors attempts to mimic American accent, but I have to say that they do sound convincing - certainly a far improvement over the majority (well, all) of American voice actors attempting to mimic British of French accent. So competent voice acting, but not quite Uncharted 2 level.

Heavy Rain is probably the first genuine cinematic (with visuals to back it up) interactive film, and I can see a bright future for this genre. Gamers who are expecting more gameplay wise will be disappointed. Whether you will enjoy this or not is not relevant - Quantic Dream's accomplishment with Heavy Rain and their unique way of telling a story should be applauded. So whilst Heavy Rain isn't quite there yet, in a world of generic Western brown shooters and colourful but stale Japanese RPG, it is still worthy of your attention.

One last thing: people who complain about the nudity in Heavy Rain ought to get their brain serviced. Luddite fools.

Update: Having played more Heavy Rain, I found the game to be quite buggy. These ranges from screen freeze to none-loading textures and glitchy animations.

Heavy Rain is out now in all regions. Buy now from Amazon.com or Amazon UK and support this blog.

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